Archive for Inspiration
Get Inspired by Mark Bradford
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The Creative Process
This summer, one of my best friends saw the collage artist and recent MacArthur Award winner Mark Bradford speak at a conference for art teachers in Chicago and was blown away.
This weekend, she came down from Vermont to visit me and we hopped on the subway to the Studio Museum in Harlem (great museum with a warm, lovely vibe) to see his latest work.
While we were there, we sat down to watch a PBS Art 21 episode about him, and it was awesome.
I love the way he talks about his creative process!
And since you know I like to talk about the creative process a lot here on the blog, I wanted to share the link to this video with you. Please, WATCH IT–you’ll be inspired, I promise.
It’s so good. He’s so good. Art21 is so good.
It’s all good-good-good.
Mark Bradford Video
Here’s the link:
http://video.pbs.org/video/1239798931
If you liked that post, then try these...
Can You Receive a Compliment?
Posted by: | CommentsSince it’s Thanksgiving here in the States tomorrow, I just want to express my gratitude for my wonderful readers and comment-ers, Creative Breakthroughs class participants and 20 Minute Club members. Thank you, thank you!
You have no idea how much I appreciate your thoughts and reflections and willingness to play and try.
And I’d also like to suggest, as you express your own thanks for what you’re grateful for this long, feast-filled weekend, to include yourself in your gratitude list.
Because as I’ve helped aging family members transition through difficult changes this year–where simple things have now become hard–I’ve come to realize. like never before, the importance of truly taking the time to be thankful for your own gifts and abilities in the fullness and strength of your life as it is right now.
So yes, be thankful for your life and your family and your security and your friends. Be grateful for all that is around you.
But please also take a moment or two to honestly stop and let your own gifts and talents deeply sink in to your awareness–your hands that make things, your eye for color, your joy in creating, your ability to make someone laugh when they’re crying, your good listening skills, your punctuality, your willingness to do something hard–each and every one, whatever they are.
And don’t just honor your gifts, relish them. Treasure them. But most of all–ENJOY them.
Your gifts are a huge part of how you experience the world as well as why the world needs you–and isn’t that nothing less than fantastic?
Embrace your gifts.
They’re as much who you are as your limitations–so give them their equal due.
This might be kind of hard, (believe me, I know) but it’s important enough to practice. So please, practice.
One way to practice is to try not to wave off a compliment the next time one surprises you–this is hard for me too–I actually get a little nervous when I get a compliment and try to hurry past the wonderful words, even as I love to hear them.
But these past several months have taught me that this is a mistake and reveals how I’m carrying on an unspoken family tradition–being uncomfortable with honoring my gifts.
Life flies by, and it’s simply not right to get to the last years of your life never having properly honored and enjoyed your gifts, talents and abilities. They’re yours–they are you.
So this Thanksgiving, please take some time-to be thankful for yourself and all that you bring to this world as well as for the abundance of family and friends, nature and God.
And then, have a second helping of pie.
The Upside of Beginner-dom
Posted by: | CommentsDo you let yourself be a beginner?
Exposed, awkward, unsure and feeling your way along in the dark?
It’s hard to hide when you’re a beginner because often you don’t know what you don’t know.
But there are a lot of benefits to being a beginner–even in your area of expertise or natural abilities.
- Being a beginner can be very freeing–you don’t have to waste time pretending you know it all or proving you’re good at it.
- Being a beginner means you probably have fewer preconceived notions and can experience the skill or knowledge with fresh eyes–sometimes seeing or understanding things that the “pros’ have overlooked.
- Being a beginner is being an explorer, an adventurer, eager to try what the world has to offer.
- Having a “beginner’s mind” or attitude even in your own area of expertise means you feel comfortable receiving insight from every source which also eliminates the need to compete or win–this subtle shift can be a huge relief.
- Being a beginner at something again means it’s okay to be rusty. You’ve learned other things about life while you were getting rusty at this art or craft you used to be good at. Now you have a chance to blend them together as you start over–whole new possibilities open up!
Don’t ruin the freedom of being a beginner by having unfair expectations of how quickly you should be good at this new something you’re trying.
Give yourself a break.
90% Ville Part 2: Three Reasons it’s Hard to Finish
Posted by: | CommentsLast week, I alluded to the difficulties of being 90% done with something. And what a long walk it is to get from 90% done to 100% done.
But I was heading out the door to Quebec City (Gorgeous! With lovely gracious people who don’t care if you don’t speak French!), so there was no time to delve into this rarely addressed problem in the fine art of finishing.
But now I’m back,
so let’s delve.
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The Many Faces of….Finishing
Soooo, as you know, I write often about the difficulty in getting started.
And I write sometimes about the funky middle, and how resistance protects us from finishing something that might be bad.
But there’s another tricky spot, and that’s the almost end.
That long walk from 90% done to 100% done.
And basically, there are 3 main reasons why you don’t want to take that walk and really finish.
But all of them are solvable–because once you become conscious of what they are, they will no longer fool you.
Reason #1: Your Fickle Brain
The first reason you don’t finish things that are so close to being done is that you mentally move on.
You had an idea and you got yourself started.
You then sucked it up and got yourself over a huge hump–that funky middle part where your project looked nothing like how you first pictured it–and now you’re on the other side where it all starts to come together.
Your piece or project suddenly has a “right-ness” to it that means it’s almost finished.
And then your left brain says “Problem solved.” and it starts to move on.
This is especially true if you make things for a living or on a deadline. You can see your way clear to the end so it feels safe to start working on other pressing things that also have a deadline.
Except that’s dangerous, because everything that’s left to do takes a lot of time to get done.
Reason # 2: The Khyber Pass of Creativity
Everything involved in that last 10% of your journey is time-consuming because it’s usually strangely…..hard.
Even when you’re so close to being done.
This is because the design problems you’re facing now are much more subtle, ambiguous, and feel slightly out of reach.
You can see the end, but now you’ve got to feel your way through to it, inching along the narrow cliff edge in the twilight.
This is frustrating because not so long ago, when things were all coming together, you were striding along in open fields, your water bottle full, a slight breeze in your hair, the sun at your back.
But now, because so much is already done, right answers are not easy to come by.
You’re in your own personal uncharted territory.
So you just have to be patient and trust yourself in these dark, narrow spaces.
And give yourself some help. An emotional crutch if you will.
For me, that’s using a timer.
Because when you set the timer, you create an agreement with yourself about how long you must endure this grey area, this ambiguity, this unfamiliar land.
To help you through the last 10%– last hard of it.
Except maybe one very important bit of hard that people don’t talk about much.
Reason #3: Forgetting Why
I learned a lot about the creative process in myriad design jobs where I created on a deadline. I’d pull myself through that last 10% of a project all the time because I had no choice. It was my job.
But what about when it’s your art or craft work at home?
Something you feel/felt excited about, but there’s no urgency–no boss demanding something, no deadline to meet–or else. No one to notice if you finish or not.
What then? Why suffer through all that hard? Why snake along the Khyber Pass of Creativity just to finish….what–this idea you had?
I mean, if an art project falls in the forest and there’s no one to hear it, does it make a sound?
It Matters
Okay, perhaps you are “just” at home in your studio/craft room/patio/garage.
So…..it’s not life or death on the Khyber Pass. It’s not meet-the-deadline-or-get-fired.
And living in a culture that perceives things as legitimate when they make money, it can feel strange to spend a lot of time on something that probably won’t.
Especially if this involves some (temporary) suffering.
But that doesn’t mean it’s silly or unimportant either.
And when you’re in the hard and tearing your hair out over finishing a piece, maybe your spouse is saying–it’s okay, it doesn’t matter, who cares? It looks fine! Why do you do this when it makes you miserable?
They’re trying to help and don’t like to see you struggle.
And frankly, you might be saying that very same thing to yourself–who cares, why bother?
So you don’t work through the last bit of hard. You don’t finish.
Because well…….what’s the point?
The Point
The point is this: you finish your projects is because finishing honors your passion.
It reminds you that this thing you love to do matters. That it enriches your life to use your time in this particular way.
If you were a jock, maybe you’d work out a lot and run a marathon.
But you’re an artist.
And being in the world as the creative soul that you are is your real job in this world.
Your day job may be a blessing and provide for you and your family, and that’s great. Fantastic even.
But it’s not all of who you are. (And it might not be very much of who you are.)
So you work through the different hard parts of finishing because you’re supposed to live your life as an artist.
Experiencing life and the world through creativity. Thinking artistic thoughts. Immersing yourself in aesthetic quandaries. Expressing what’s inside you.
That my friend, is reason enough.
Your Turn
What do you think? Do you find it hard to finish? Do any of these reasons resonate with you? Leave a comment, I’d love to hear from you.
Why Bother?
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Keep the Channel Open
Sometimes you ask yourself–”Why Bother?”
Why bother trying to create again, or practice a hard technique, or make work no one sees, or summon the courage to pursue an ambitious dream like having a show or selling your work.
And too often, your self doesn’t have a good answer back to that question, because your self and your doubts are in cahoots.
Well, I have a lot of thoughts about this, as you can well imagine, but I think Martha Graham said it best, so I’ve created this 8″ x 10″ reminder, using her inspiring quote.
I want you to click on that image, read it, and then print it out.
After that, you must stick it on your wall, tuck it in your purse or keep it on your night stand to read last thing before bed.
Click here or on the link below to get the PDF (or after you’ve clicked on the image to read it, just right/click to save it (if you’re on a pc) or control/click (if you’re on a mac) to save it.)
Either way, print it out. I mean it. It’s the best answer to the question “Why Bother” that I’ve read yet.
PDF version of Keep the Channel Open
Big Hugs…
Are You Waiting to be Ready?
Posted by: | CommentsYou’re intrigued by something you want to do or make, but you “don’t feel ready.” So you wait.
Or maybe you plan on making something tonight when you get home from work, but by then, you’re tired or not in the mood.
This is a very natural reaction to adding one more thing to your busy life. And the busier you are, the less “ready” you can feel for anything that’s new or hard or requires your focused attention.
The only thing is, this one more thing is your creativity, and it really matters to you.
The hard part about weaving creativity back into your life–or upping the ante and going deeper with what you are doing–is that it has to come from within.
Because it’s committing to yourself.
Which is a lot tougher than committing to other people. It takes more self-esteem. In addition, everyone understands and applauds committing to others, so it’s safe and the feedback’s great.
Which is why society or your family or your boss aren’t going to carve the time out for you.
So it’s a risk and it’s up to you. Of course you don’t “feel ready”.
Do it Anyway
Here’s the thing–nobody is really ever ready.
I mean, you read about people having epiphanies and suddenly turning their lives around and living their dream, but that’s rarely the way it happens.
If you want to start creating again, if you want to dig deeper and get bolder with your work, if you want to live your life as an artist, you have to start now, even if you’re not “ready.”
In fact, one of the greatest gifts that you can give to yourself and your creative dream is to realize that you can create even when you’re not ready or in the mood or feeling inspired.
But it’s hard. And scary. And maybe a little lonely. And did I mention hard?
Yup, you’re right. It’s all those things.
But that’s where I come in.
Structured Support
Because the creative life requires so much internal commitment, my goal here at Make Great Stuff is to provide you with structured support systems to see you through.
That’s what the 20 Minute Club and the Creative Breakthroughs Collage Tele-class are all about.
Do-able systems to help you create and build your creative momentum so that your artistic, creative essence is as important as all your other facets/roles that currently rule your life.
So that the dream of having a show or selling your work on Etsy or writing that novel or fill-in-the-blank can become a reality.
To live your life as an artist.
Don’t Wait Until You’re “Ready”
You don’t need all the supplies on the suggested materials list to sign up for the next Creative Breakthroughs Collage Tele-class. You just need a speaker phone or an earbud.
You don’t need to re-read how it’ll work, we’ll have fun even as you feel your way through the process.
It’s okay if you’re eating dinner at the same time or still gathering stuff and filling your water container at the start of the call.
Making time to create is about giving yourself your self back.
It’s about remembering how fun it is to play and immerse yourself in something artistic without having time to self-censor or the ability to compare yourself to others (because we’re on the phone!).
It’s about letting yourself try something new or make something ‘bad’ because you’re committing to the artistic experience and (practicing) not judging yourself all the time.
Because even though it’s hard, you realize these two things are a requirement of hanging in there for the long haul as an artist.
Creating Momentum
In addition, the tele-class dove-tails perfectly with the 20 Minute Club.
Because your unfinished or almost finished collage pieces are wonderful reasons for setting the timer for 20 minutes here and there (even when you’re tired or not in the mood) and responding and fixing and thinking aesthetic thoughts.
You’ll start to realize that when each of those 20 (or 30 or 40) minute sessions are up, you feel less tired than when you started.
Rejuvenated even.
You also realize your week has gotten a lot more artistic than it used to be. And that the more you do it, the easier it is to continue.
That’s momentum you’re witnessing–and finally moving in the direction you want.
Wow.
All this when you weren’t even “ready.”
Doesn’t that sound good? Come join me and let’s get started.
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What do you think? Are you waiting to “feel ready” or have you taken the plunge? Do you like the idea of structured support? Please share your thoughts in the comments, I’d love to hear from you.
Arrested by the Art Police?
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Scene: A Courtroom in Your Head
“Your Honor, I’d like to submit the following bad drawings as evidence that the defendant has misled her family and friends by describing herself as creative, calling herself an artist and complaining she has no time to make anything.
As you can see, why does she need time to make anything when she makes crap like this?”
“Why indeed, Counselor. Jurors, please look carefully at all the bad art and reach your worst conclusions.”
“Your Honor, we find the defendant,………. long pause………., ‘Not Talented’.”
“Thank you for your service, the jury is excused. Bailiff, take the defendant to be arraigned, and measure her up for a hideous orange jump suit. I’m glad we caught her when we did.”
You’re Not on Trial
Your creative life is not a trial where everybody and their mother is on the jury determining if you really are an artist or just a big-talking fraud who’s been implying she’s artistic since God knows when.
Your ‘bad’ work is not proof that you’re not talented. Otherwise, everyone would be indicted.
No longer torturing yourself by treating your artwork as evidence in a trial is an important step toward getting on your own side and getting serious about making things.
Since making bad stuff is unavoidable, stopping yourself from going through your own version of this courtroom drama isn’t easy, but it’s worth the effort.
But I know it’s hard to change your thinking pattern overnight.
So be gentle with yourself.
A Few Simple Steps
- Just increasing your awareness of your thought patterns is a game changer. Because we’re so used to our inner monologue, we often don’t even realize what we’re thinking anymore and just mistake it for reality. Realizing this isn’t true, even for a minute, is huge.
- Notice when the negative thinking starts. Before you even begin to create? In the icky middle of a piece or project, when nothing looks right?
- Notice how you feel physically when it’s happening. Does your chest tighten? Do you get butterflies? Where does the anxiety live in your body as a physical feeling? Stopping to experience the physical expressions of your emotions can go a long way toward quieting them.
- Give yourself permission. If this means you need to allow yourself to hide your work, throw it away or burn everything right after you make it, then so be it. Even if your rational brain thinks you’re being ridiculous, your fragile feelings need to know that even though they no longer rule the day (by stopping you from creating altogether), they still count and will be attended to.
- Experiment. Can you leave your ‘bad’ piece out in the open for an hour? A day? All the time? Don’t make yourself do something that shuts you down, but experiment with pushing at the edges of your comfort, and pay attention to the ramifications–because chances are, they won’t be any. The next time will be easier.
Building Creative Momentum
The only way to start making good stuff is to make stuff a lot–to maintain a creative momentum in your busy, everyday life. And if you’re making stuff a lot, chances are excellent that some of it’s ‘bad’. Or at least not what you intended.
It’s just about coming up with strategies for getting comfortable with that. Or, at least, less uncomfortable.
To help yourself keep making.
At the risk of sounding like a broken record, one great way to keep yourself creating is to join me every week for the Creative Breakthroughs Collage Teleclasses.
Or even just one class, I’m not picky.
I’m absolutely convinced it can help free you up to build a wonderful creative momentum in your life and function as a real concrete support system–making it easier for you to commit to yourself and your creative dreams and goals.
And even if you feel a lot of angst about your creativity, I think you’ll even have some fun because it’s such a blast.
It’s okay to need help getting started again. It’s also okay to sign up even if you don’t feel ‘ready’.
You don’t need to be ready! All you need is a few supplies and a speaker phone.
At 12.00 a pop, what have you got to lose? You can sign up here.