Archive for Creative Process
Pulse NYC
Posted by: | CommentsPulse New York
This past week was all about the The Armory Show at the Piers in NYC. It’s a pretty famous show with lots of different offshoot exhibits all over town now, so I thought I’d find everyone some inspiration.
The only “offshoot” show I went to was downtown at Pulse NYC. I actually enjoyed it much more than main event, which I found kind of pretentious, but I always have lots of ambivalence about the art scene. The gallery owners at Pulse were more open and welcoming and seemed truly excited by the artist’s works they were displaying.
The pulse show has more emerging artists in general. Overall, it was probably more uneven in quality than the Armory Show, but I liked the energy and genuine enthusiasm that I felt in the artwork I saw.
Here’s a few photos and thoughts below:
I thought this fur life preserver by Andy Yoder was an interesting political sendup about the economic downturn–especially in New York City, where the uber wealthy are more uber than other places:
I loved these woven rattan Buddha sculptures by Cambodia artist Sopheap Pich. Airy and open with a certain monumentality:
Megan Greene did some really lovely drawing/collages on top of pages of Audubon paintings from a book. Some people might think, “Oh, been there, done that” but I thought she really integrated her own skillful drawings wonderfully with the initial images, creating something fresh and well executed. She wasn’t really relying on the Audubon prints as much as carrying them somewhere else. My group picture doesn’t really do it justice. Check out her site for better photos.
I thought these mythic taxidermy creatures by Enrique Gomez de Molina were very cool, but some people around me were kind of grossed out. I guess I convinced myself he found the taxidermied pieces and then altered them with his own created bits, but really, I have no idea. They’re so imaginative and phantasmagorical to me and they have a lot of presence . Check out his site to see more and better images. (The walrus is covered in beetle wings!)
Laurent Craste had a wonderful piece that was a mix of video art and porcelain, but I couldn’t take a picture of it. He’s a porcelain artist, and most of his work (at this show anyway) is a commentary on decorative arts.
His piece that I really liked had a porcelain plate in a cabinet with a classic image of roses on it, but the image was digital, and he had the petals and leaves gradually fall off the decorative pattern to form a kind of heap at the bottom of the plate and then start over. Very witty, I thought–and well done video art, which I find kind of rare.
Here’s a few more of his porcelain commentaries:
Emil Lukas had a wrapped thread, piece that was positively luminous. Of course, my photo makes it look opaque and kind of awful, but it was really great and I wanted to include it here. I notice the other images of his work online don’t do much better either, so I think it’s kind of hard to photograph his work:
I liked these witty little paintings by Michael Dumontier and Neil Farber–from The Royal Art Lodge:
I really enjoyed Megan Whitmarsh’s soft sculpture installation of her dream studio–it was very positive and actually kind of joyful. It really brought back memories of the soft sculpture rage in the 70’s:
So there was lots more that I liked, but I’m having a hard time deciphering my notes and my to-do list is a mile long this week! I’ll write about The Armory Show next with lots of pictures as well. Please share any thoughts you have about any of the art, I’d love to hear from you!
2 Words: Work Bigger
Posted by: | CommentsToday I thought I’d share some images from a series of charcoal drawings I’m working on–mostly because I’m enjoying myself so much making them. They make me want to run through the snowy streets imploring the world to work bigger. So I have 2 words for you my bloggy friend: Work Bigger! It’s very liberating.
All these drawings are works in progress. At least, I think they are. I’ll keep looking at them and decide over time. It feels good to make them and all kinds of thoughts/feelings/images/experiences are coalescing as I work on them–but more on that at a later date.
What’s nice about working on something that feels right is that it doesn’t really matter what anyone else thinks of it. These drawings are a path I’m on for a while, and I figure I’ll just keep making them until I’m done and see what I’ve got at the end.
In the meantime, here they are. They all measure approximately 3 1/2′ tall x 4 1/2′ wide–except, of course, the square one which is as wide as it is tall.
(Click on any image to view it bigger. And thanks for looking.)
New Site! New Workshop! New-New-New!
The other thing I’m doing is scrambling around like a mad woman trying to get a new site up and running–a site just for my studio–kind of the local outpost of Make Great Stuff where I’ll be teaching classes and workshops as well as making my own artwork. I’m an excited/nervous duckling.
I had fantasized that I’d be sharing this new site with you here today, but it’s all been more work than I anticipated–nothing unusual there. My brain never ceases to be unrealistic about how much work I can get done.
(I come from a family where work is a highly prized activity–you can pretty much get out of anything, even a funeral, if you say you “have to work”. Not that I do that, try to get out of funerals, but I’m just sayin’. So I’ve inherited a great work ethic, but mostly, it’s kind of a drag. Except for my bosses. Every boss I’ve ever had loved me for it. So, now that I’m my own boss, I’ve kind of a got a conflict of interest thing going. I’m working on it.)
Anyway, in addition to the new site, I had my first workshop in my studio last Friday night. It’s called The Creative Breakthroughs Technique Workshop and it was a big success if I do say so, and I’m dying to share all the details with you about that as well.
Alas, that’s a big part of the new site, so I’m still not done dotting my i’s and crossing my t’s on that either. But I’m hoping to do a big “taaa-daaa” thing here on the blog about all of it on Monday or Tuesday next week. I’ve even got a little video going. Please stay tuned.
So picture me writing and uploading and editing and adapting and pay-paling my weekend away. And taking breaks to work on my big drawings.
(Did I say I’m trying to do a drawing a week? Next week I’m hoping to dedicate a whole blog post to the ease-of-being-creative-when-you’ve-got-a-work-in-progress-going strategy. Kind of a P.S./ Part II to my Magic Spell post the other day.
What are you doing this weekend? Are you snowed in like we are here in NY/NJ? Would you like to share links to some artwork you’re working on? Please leave a comment and share what you’re doing, whatever it is, I’d love to hear from you!
If you liked that post, then try these...
A Magic Spell
Posted by: | Comments
I was having a long drawn out argument with myself this morning–throughout my Shiva Nata dancing, on and off during my meditation practice, as I ate my breakfast and afterward reading my emails. It was a standoff.
No time, I said to myself, for any drawing this morning–straight to the blog, and then you have to edit that video, write several pages for the new website (for local classes that I’m starting to teach!), arrange some coaching appointments, figure out my new paypal thing…the list is endless.
But why, I asked myself, is my artwork always the first to go when I’m super busy? I mean, my whole blog is dedicated to helping my readers figure out real ways to integrate creativity and their art-making back into their lives.
Well then, I told myself, you make an excellent guinea pig. If it were easy, how would you be able to help other busy and artistic people–you’d have no idea what’s involved.
Sigh.
Read More→
Why You Love to Create
Posted by: | CommentsRemind Yourself What You Love About Creating
Sometimes when we get lost in our worries that we have no talent or that our creativity has disappeared, we forget one of the main reasons we make things in the first place.
It’s fun. It feels good. And we love to do it.
Today, I want you to remember all the reasons that you love to make things and write them down.
Tack it to the bathroom mirror or slip it into your wallet. Pick one reason every day and meditate on it–even for a minute or two.
Just close your eyes and say the first part of the sentence when you breathe in, and then say the second part of the sentence when you exhale: (Breath in–”I feel most like myself” Breath out: “When I’m creating.” Breath in–”I feel most like myself” Breath out: “When I’m creating.”)
Lather, Rinse, Repeat.
Ready? I’ll start!
25 Reasons I Love to Make Things
- I feel most like myself when I’m creating.
- I feel connected to everything and everyone when I’m making things.
- It feels good/right to use my hands.
- I like that it feels like a physical activity somehow–not so ‘in my head.’
- I’m very visual and I love looking at things.
- Creating feeds my aesthetic emotion.
- I love the feeling of “building” something when I’m creating.
- I love the feeling of “listening” to my artwork.
- I love how it feels when what I’m creating turns out the way I want.
- I love how I feel when I am okay when it doesn’t turn out the way I want.
- I love feeling excited about making things.
- I love learning new techniques and acquiring new skills.
- I love integrating new techniques into my projects.
- I love solving design problems and thinking about formal elements–like line, color, composition, etc.
- I love pulling different parts of myself, my thinking, & my sensibilities together into one work of art.
- I love feeling like an artisan.
- I love making things I use everyday.
- I love feeling connected to the objects I’m making.
- I love the hum of my sewing machine.
- I love how I feel when I’m completely immersed in my projects.
- I love talking about art with other people.
- I love getting inspired by art in museums and galleries.
- I love giving things I make to people I love.
- I feel grounded when I’m creating.
- I like making sense of the world through my creativity.
Okay–you’re turn! (And please share your list or portions of your list in the comments section below!)
5 Ways to Mix it Up
Posted by: | CommentsSometimes you can really make headway with your artwork if you just break a few patterns and get out of your comfort zone.
Here’s a few suggestions below to help you get started–if you think of any others, please share them in the comments–I love trying new techniques!
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Scale
Get Bigger! Or get smaller, but go in the opposite direction from what you usually make. (My hunch is probably that your work could get bigger–women especially tend to keep our work small.)
It might feel hard or embarrassing to take up space like this, but it can also be very liberating. I’m working on a series of large drawings right now–all around 42″ x 48″ and I’m simply amazed at how great it feels to work big like this.
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Color Palette
Let’s face it, we’re all drawn to particular color combinations. Line your work up (or photos of your work) and take a look at your palette. Could you go to the opposite side of the color wheel? Could you introduce or replace a color in your normal repertoire?
Or keep your palette, but change the value–try pastels (or brights) instead. Flip through art and fashion magazines for fresh color ideas that might inspire you and try on someone else’s favorite color combos for size.
Mean Secret Rules & Why We Obey Them
Posted by: | CommentsWhen we’re stuck in our creativity, we usually have secret “rules” about making art that are part of the stuck.
We may or may not be aware of these rules, but they often can go something like this:
>”Real artists make work every day. So I guess I’m not a real artist.”
Or another variation:
>”Real artists are disciplined and make work every day. The fact that I don’t shows that I’m neither disciplined nor an artist.” (Great double whammy that one.)
>”Real artists simply must create, all the time. If I really wanted to make art, I’d do it, and since I’m not, I guess I don’t.” (Listen, if you didn’t really want to be creative and make things, that sentence wouldn’t make you feel bad. But since it does, it shows that you DO want to. But we’re complicated, that’s why we can want to do things and not do them.”)
>”A real artist makes a living creating their work.” (Plenty of talented, passionate art makers don’t make a living making their art. The art market is not the art world.)
And then there’s these:
>”I’m too old to start now.”
>”At some point, you just have to let that part of you go.”
>”Making art is self-indulgent.”
>”Setting aside time to make my work is putting it ahead of my family and that’s selfish.”
Mean. Mean. Mean. And none of them true. Read More→
The Dangers of Thinking Big
Posted by: | CommentsI’ve been feverishly working on several class ideas that I want to offer here on the site and at my studio to help everyone feel freed up to play, experiment and gleefully wade into the creative experience again.
It’s taking much longer than I anticipated.
Partly because I tend to underestimate how long things take and partly because these are ambitious ideas that really do require a lot of thought, planning, and practice to be the way I want them to be.
Big, time-consuming projects that may or may not work out.
Oh the worrying! I mean, I really want to get it right–to create something great that will empower people. Oh the fretting! What if I make this class and no one wants to come? What if it’s all a mistake and I’ve “wasted my time.”
What then?
Risky Business
In order to really develop a big idea, to create something complicated or try something challenging, we have to invest time in what we’re doing, even when we’re not sure it’ll work out.
We have to choose a direction and wander down that path for quite a while before knowing if it’s a way through or a dead end.
It’s a risk, no doubt about it.
And when you have a finite amount of time to create, you might think, what if I do all that work, and then it’s for nothing? What if I waste my precious free time on a project that doesn’t work out in the end? Harsh.
When we do that though, it’s because we defined that time as “wasted,” not because it actually is wasted. And defining the time as “wasted” is not honoring the process.
Sigh.
So easy to say, so hard to feel. Read More→






















